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Artist of the Week: Vote for Your Favorite

by Suzy Exposito | 92 days ago

Who was your favorite of the artists we’ve featured this week? You have until 11am EST next Friday to cast your vote for the next Artist of the Week! Choose between the following:


With Red Bull Music Academy announcing their Class of 2014 this past month, we’re thrilled to see Tollcrane included on the list. As the guitarist and vocalist of Karachi’s Orangenoise, Tollcrane enters the electronic scene with a unique sound that is sometimes ambient, sometimes EDM, but always a little rock ‘n’ roll.

Riky Rick

In explaining his single “Nafukwa,” Riky Rick defines one-word title as meaning “do it,” a choice that, knowing Rick, makes sense. Whether he’s shooting his own music videos in the canals of Amsterdam or modeling for Ben Sherman, the South African artist leads the Jo-burg rap scene, embodies “nafukwa.”

Rebel Diaz

In the case of Rebel Diaz, hip-hop is more than just music: it’s a vehicle of resistance. Siblings Rodrigo Venegas (AKA Rod Starz) and Gonzalo Venegas (AKA G1) seek to fully expose the negative realities that the system tries to conceal via their lyrical prowess. Rebel Diaz’s recent full-length release Radical Dilemma does no less than that.

Death By Unga Bunga

Your 20s is a good time to experiment with likes and dislikes. Flip-flopping is completely excusable; you might spend a year obsessed with electronic music and the next deep in droning metal. Norway’s Death By Unga Bunga, however, appear to have been fully committed to old-school garage-psych since their teens.


The R&B-meets-house trio Movement first hopped on the scene  in 2011, pioneering  their self-dubbed genre called “minimal soul.” Somewhere along the way Modular Recordings (the label behind Cut Copy, Azari & III, Bag Raiders, and The Presets) plucked the group up and gave Movement the momentum they needed.

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Listening to David Broza as Violence Ravages Gaza

by Beverly Bryan | 92 days ago

As Israel’s military offensive in Gaza continues and the violence spreads to the West Bank, it seems clearer than ever that the real burden of conflict will always fall disproportionately on the shoulders of innocent civilians. Of the 800 people who have lost their lives in the past 18 days of fighting, the overwhelming majority have been Palestinian civilians, many of them, as was the case in Thursday’s strike on a UN school sheltering Palestinians, women and children.

At times like this it is all the more astounding and inspiring when people like Israeli singer David Broza, who recorded his recent album East Jerusalem/West Jerusalem in a West Jerusalem recording studio with Israeli, Palestinian and American musicians, and especially the young Palestinian and Israeli artists in the Israel/Palestine episode of MTV World’s series Rebel Music reach across borders to build human bridges in defiance of war and occupation and to make music that talks about peace.

The ongoing violence and political impasse are products of structures and forces that are very difficult for most people to affect. The acts of artists like these are vital because they remind us of the will of ordinary people to work for peace, justice, and genuine change.

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Artist of the Week: Vote for Your Favorite

by Suzy Exposito | 99 days ago

Who was your favorite featured artist this week? You have until 11am EST next Friday to cast your vote for the next Artist of the Week! Choose between the following:

Alice Boman

Alice Boman is one of countless extraordinary talents to come out of the land up north. She is still fairly new to the scene, having only released her first EP Skisser (Swedish for sketches) last year. Her hushed, restrained vocals carry the beautifully-constructed lyrics in a truly powerful way, making sure none of the emotion is lost in translation. One can only wonder what gave Boman the inspiration to write such personal songs that can still find a way to impact so many.


Anushka are a soul-lovin’ house duo, comprised of singer-songwriter Victoria Port and producer Max Wheeler. The project began in earnest when Max caught Victoria performing as part of a neo-soul group in their home town of Brighton. The promise of free studio time lured Victoria to record with Max in his studio and from the outset they knew they were on to something promising.

El Caribefunk

The band name El Caribefunk is very straightforward. The group brings together music heard all over the Caribbean (Colombian champeta, Jamaican reggae, Haitian compas and zouk, Trinidadian calypso, etc) and threads the genres together through a contemporary take on funk. Their roots are in the live music scene in Cartagena, Colombia, but have been based in Buenos Aires and are spending the summer on tour in the United States.


The ’80s may be long gone, but some of its brilliance lives on through talented artists like James Kent, also known as The Perturbator. Inspired by slasher movies, retro video games and the sci-fi art that came out of the decade’s darkest corners, the French synth master adds his own touch of retrofuturism to expansive sonic landscapes, creating the kind of music that makes our endorphins fly. Mr. Kent’s metalhead roots also permeate his music, as he weaves in heavy beats with riff-like melodies.

Osekre and The Lucky Bastards

The music of Osekre and The Lucky Bastards is alive with treasuring every moment. They play a hybrid of Afropop and ska, punk, and reggae that is equally indebted to Osekre’s Ghanaian heritage and the Brooklyn DIY/garage/indie scene that thrived in the late 2000s. Osekre is one of the Brooklyn indie scene’s biggest cheerleaders, having been one of the founders of the annual The Aputumpu Festival celebrating rising local bands.


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At the Gramercy Theatre, the LAMC Hosts an Eccentric Cast of Latin Indie All-Stars

by Suzy Exposito | 101 days ago

In commemoration of its 15th year running, or what they endearingly call its quinceañera, the organizers of the Latin Alternative Music Conference made like Miami royalty and secured only the best acts in rock, hip-hop and EDM to celebrate their darling teenage brainchild. Based in New York City and founded by Nacional Records owner Tomas Cookman, the conference offers a platform for international Latino artists and music industry reps to show us their chops. When compared to years past, the 2014 lineup represents a broader spectrum of performers across nationality, style and age.

Esteman at the Gramercy Theatre. Photo Credit: Jessica Chou

Friday night’s festivities kicked off with an acoustic showcase at Sounds of Brazil, otherwise known as S.O.B.’s in Downtown Manhattan. Equipped with a kazoo and combat boots, Cuban pop powerhouse Diana Fuentes struggled to keep the chatty crowd’s attention while closing the showcase. But under the hot lights of the Gramercy Theatre later on that night, her high-octane stage presence was commanding enough to hush the audience. Backed by a full Afro-Cuban jazz band, Fuentes burst into a blithe, free-form stream of salsa moves during their intoxicating instrumental breaks. Sung in tribute to the many Cuban refugees lost at sea, Fuentes’ performance peaked at “Otra Realidad,” her every vocal lunge stressing the great risks her people have taken to broaden their horizons.

Although Fuentes is a pretty hard act for anyone to follow, Colombia’s theater geek-turned-indie-heartthrob Esteman opened his set with an air of suspense. His band emerged, their faces obscured behind positively creepy masks with exaggerated brows and sinister smiles. They commenced with what sounded like the first few bars of “Rawhide.” Like the Phantom of the LAMC, Esteman let the audience wait a few minutes before he surfaced from behind the curtains, staring us all down from behind his mask and easing into his folky 2013 single, “Aquí Estoy Yo.” The masks came off and band ran through a string of tropicalia-infused indie pop gems that channeled the sophisticated beach party vibes of Esteman’s slim, jungle-print slacks.

As the lone hip hop artist in this evening’s showcase, Monterrey MC Milkman delivered a charged performance, but seemed misplaced among the cast of characters at Gramercy Theatre. His odes to booty claps and McDonald’s cheeseburgers had me wishing Ana Tijoux could roll in to serve her own breathy feminist smackdown. But instead, we were all liberated by a crew of intergalactic EDM heroes: touching down from outer space/Mexico City, came The Wookies! Churning out one long, decadent disco jam, the quartet of electric wizards grooved beneath gold capes and shaggy Wookie masks.

AJ Davila at the Gramercy Theatre. Photo Credit: Jessica Chou

The lineup took an even more eccentric turn when LAMC Artist Discovery Award winner AJ Dávila stormed the stage with his ragtag team of punks, Terror/Amor. Despite the raw power of Terror/Amor’s live set, it seemed like a travesty that they were playing here and not a dive bar or a dingy loft in Brooklyn. Having already tended to his more punk rock proletarian fans the night before at Radio Bushwick’s eventSolo Dame Indie Pop, Dávila’s spirit was a little more bored than boisterous. Yet he still mustered up flirtatious quips to a screaming lady fan and doused the audience with water while performing his cheeky single, “Dura Como Piedra.”  People repeatedly shouted “Boricua!” as a small pogo pit formed at the front of the stage. Up the Puerto Rican punx, down with venues where the cheapest beer is nine dollars.

Well past the witching hour, the lights dimmed down to a smoky blue for the final act. Los Macuanos reticently greeted the audience, providing little more engagement than downward gazes and nods towards their own respective iPads. And yet, for what their rather postmodern performance lacked in visual showmanship, they gained in the crowd’s response. Instead of expectantly facing the stage, the remaining audience members turned to each other and danced raptly under the influence of the Macuanos hypnotic beats. At the end of the day, it just goes to show that alternative music, in Spanish as in any other language, is not about record sales and appearances; but it’s about providing a more complex, expansive musical experience than what heavily-mediated, popular music usually offers.

Last but not least, here are some Superlatives for the LAMC Class of 2014:

Most Likely to Succeed: Diana Fuentes

Best Dressed: a tie between Esteman and The Wookies

Class Drama King: Esteman

Class Clown: Milkman

Biggest Flirt: AJ Davila

Most Likely to Start an Industrial Commune in a Ghost Town: Los Macuanos

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Battle Mundial: World Cup Music Digest 7/12

by Alexis Stephens | 105 days ago

Throughout the 2014 World Cup, we will be celebrating the bond between music and the most popular sporting event in the world. Each day of the tournament, we will be selecting songs from each country playing. We want to help you get as hyped as humanly possible for the daily on-field drama.

Match for Third Place: Netherlands vs. Brazil

The country of Brazil is hoping that their team is able to recover enough from their devastating loss this week to play a somewhat even game against The Netherlands. Because it’s the home stretch, let’s celebrate all of the selections for each country in “Battle Mundial” so far. Each of these countries has a rich history of different cultures mixing together and that’s definitely reflected in the music.


KiT – “Jackhammer”

Caro Emerald – “I Belong to You”

Sevdaliza – “Clear Air”

Bakermat’s “One Day (Vandaag)”

Afrojack & Thirty Seconds To Mars – “Do or Die (Remix)”

Noisecontrollers – “Go High”


Pearls Negras – “Pensando Em Você”

Emicida “Obrigado, Darcy (O Brasil que Vai Além)”

Sango “Me dê Amor”:

Karol Conka “Boa Noite”

Psirico “Lepo Lepo”

Populous “Brasilia”

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Artist of the Week: Vote for Your Favorite

by Suzy Exposito | 106 days ago

Who was your favorite featured artist this week? You have until 11am EST next Friday to cast your vote for the next Artist of the Week! Choose between the following:

Andrea Balency

24 year-old Andrea Balency has spent her life living all over the world, likely contributing to the fact that her music is so hard to pin down. The part-French, part-Mexican singer/musician grew up playing classical piano, and listening to both the traditional folkloric and burgeoning indie pop sounds of Mexico.

The Wytches

Brighton-based trio The Wytches keep their emotions as raw as their heavy surf riffs, rendering themselves more suitable for graveyards than garages. Having spent the past year teasing us with swampy singles such as “Beehive Queen” and “Gravedweller”, their upcoming full-length debut, Annabel Dream Reader is finally ready for mortal ears this August.


There’s something about L-FRESH The LION that feels comfortable. While we don’t all know what it’s like growing up Punjab in the suburbs of Sydney, the rapper’s stories of racism, classicism, and political negligence are guaranteed to hit home (wherever that is). In his recent video for “Survive,” the 25 year old cuts between shots of his local Sikh community and himself, asking everyone “in the place with me” to “put their fists in the air where they’re meant to be.”


Originally hailing from Canada’s Maritime provinces, they share not only the same climate and Celtic influences, but the same twee pop sensibilities as their Scottish counterparts an ocean away. Taking cues from Glasgow’s finest, including Camera Obscura and Belle and Sebastian, their upcoming debut LP wears like a charm bracelet; each song is a darling souvenir from disappointments past.


The Santiago based trio — comprised of Marcelo Peña, Sebastían Roman and Elisita Punto — have become known through their brand of lackadaisical, beachy beats, usually sprinkled in gleaming synth-work and luscious feminine vocals. They’ve always belonged to that rare breed of band that functions just as well in the club as in the living room.

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Battle Mundial: World Cup Music Digest 7/9

by Alexis Stephens | 108 days ago

Throughout the 2014 World Cup, we will be celebrating the bond between music and the most popular sporting event in the world. Each day of the tournament, we will be selecting songs from each country playing. We want to help you get as hyped as humanly possible for the daily on-field drama.

Match 1: Netherlands vs. Argentina


The “boing boing boing boing” of hardstyle is some of the most brain splitting, ecstatic music out there and The Netherlands is the dance music subgenre’s mecca. Noisecontrollers’ anthem “Go High” is rousing enough to vault the Oranje into the World Cup finals. (For more on Dutch hardstyle, check out our recent festival report of the Defqon.1.)

This is from Saturday, but you can count on them watching today:



What is more revered in Argentina: the World Cup Trophy or Pablo Lescano’s keytar? Damas Gratis’ cumbia villera might be the only thing that can counter Dutch hardstyle on the battlefield of cultural awesomeness:

In case you don’t know what a powerful thumbs up looks like:


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Battle Mundial: World Cup Music Digest 7/8

by Alexis Stephens | 109 days ago

Throughout the 2014 World Cup, we will be celebrating the bond between music and the most popular sporting event in the world. Each day of the tournament, we will be selecting songs from each country playing. We want to help you get as hyped as humanly possible for the daily on-field drama.

Match 1: Brazil vs. Germany


While this Populous isn’t Brazilian (it’s actually a project of Italian producer Andrea Mangia), the video for his new track “Brasilia” is a psychedelic jaunt through how the world imagines Brazil: romantic samba, feathered carnival revelers, lush Amazonia, hilltop abodes, and hip-shaking percussion. Without the heart of the team, Neymar, the team is going to have to dig deep into its resources. Most people are looking for Thiago Silva to step up, but I have a feeling that Fred might catch Germany by surprise.


Lee Bass from the duo Gato Preto is German-Ghanaian, while rapper Gata Misteriosa has roots in Mozambique and Portugal. That’s three teams they could have been repping. I don’t have any statistics in front of me, but this has to be one of the most multicultural World Cups ever, right? Beautifully tangled heritage and fruitful immigration is the name of the game. To celebrate that fact, here is the kuduro/global bass banger “Pirão”:

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